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From:
Brian MacDonald
To:
Date:
Wed, 2 Aug 2000 19:01:47 -0700 (PDT)
Subject:
Re: [idm] vinyl (was promos)
Msg-Id:
<Pine.GSO.3.96.1000802185940.7559A-100000@falco.kuci.uci.edu>
In-Reply-To:
<LAW-F105hyF2fPmsSVh00004a84@hotmail.com>
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idm.0008.gz
On Thu, 3 Aug 2000, brian albers wrote:
quoted 12 lines I want to respectfully correct one aspect of this.> I want to respectfully correct one aspect of this. > > I've got a friend who works at Bernie Grundman Mastering and we've discussed > the process of cutting vinyl at length. He says the test pressings of a > record are the absolute first copies to come off the lathe and therefore > will sound better than the rest of the copies because the master disc will > wear out after about 200 to 300 copies at which point they've got to get > another copy from the acetate. > > My point being, the test pressings will sound superior to most of the other > copies (commercially available or promos) which may explain why my 3 12" set > of Meat Beat's Original Fire has an overwhelming amount of distortion on it.
Really. Well, hey, I learn something everyday. I've heard that successful test pressings certainly have less of a chance of introducing skips than later pressings... but then again, I guess every record pressing plant is different in that regard. Thanks, Brian, for the correction. ======================================================================= Brian MacDonald <brianm@kuci.org> KUCI 88.9 fM in Irvine, CA -- Orange County ======================================================================= --------------------------------------------------------------------- To unsubscribe, e-mail: idm-unsubscribe@hyperreal.org For additional commands, e-mail: idm-help@hyperreal.org